
The album succeeds at providing the listener with a survey of R&B styles, they just so happen to be all holiday numbers.

The album succeeds at providing the listener with a survey of R&B styles, they just so happen to be all holiday numbers.

The sound is just so big. It’s as big as the spectacle of commercial Christmas

My first Spector record I found was called “Echoes of the 60s.” This was a collection of Phil’s work. I was steered to it through reading articles about Springsteen’s Born To Run.
And giving yourself to me could never be wrong / If the love is true, oh baby ooh
The song just sounds tough, even with a Chicken Vindaloo reference

So what’s it all about, Alfie? Strobe lights, feathers, giant puppets…Janelle Monae, Prince, a sell-out crowd….Ninjas, angels, body suits…Maybe it’s best not to ask.

Three of these band members cut a couple singles in Jersey in the 60s before they split up. Thirty–some odd years later, they regroup with a couple of new members and sound like they’re still in 1965.

One reason I’ve always been a fan of southern soul music is because of the rich gospel tradition for which it is based. I’m not a religious man, but the elements of gospel, the emotional conviction, the voices, the blues that creeps into a guitar lick, resonate with my person.

This was also a time where there was an influx of Brazilian music. It had its affects on pop music. In ’63, Presley covered Tippie & The Clovers’ “Bossa Nova Baby” and Eydie Gorme recorded “Blame It On The Bossa Nova.” “Our Day will Come” had its bossa rhythm happening.

“Got to scrape the shine right off your shoes,” sings Jerry Lee, backed by Keith Richards from the Stones number, “Sweet Virginia.” Jerry Lee, you might as well say “shit,” like it was done in the original version. You ain’t fooling me. You may be too late for the redemption bandwagon.