
Is it a marvel in song construction, mimicking the sheep that we are in our willingness to follow our leaders?

Is it a marvel in song construction, mimicking the sheep that we are in our willingness to follow our leaders?

“The Spell I’m Under” is a catchy piece of pop rock, sounding like Shadow Morton got a hold of a Marshall Crenshaw rarity.

The album opens up with “Bye Bye Babe.” It was an attempt at boogie-rock, like the sound of Humble Pie, early Foghat and 70s circa Status Quo

But as a person who bought every single White put out on his Third Man label this year, I’ll take the Cartwright creations over Mr. White’s.

The musicianship and production values surpass anything else I heard in 2010. It is rich and textured. It demands your attention while at the same time, sweeping you away into a trance.

When I first head “Sheena’s Back In Town” I thought it was a lost R&B gem; maybe an unearthed King Coleman cut.